Sunday, April 8th, 2012
So before I get into talking about my next film, I’d like to do a brief writeup on some of the audio gear I’m now using. Right after I filmed my ‘Monday’ video, I was already making my plans for the next one I’d do. As soon as I moved past the conceptual ideas, there was the question of what additional hardware I might need, and it came down to a few things I wanted to pick up to handle sound better. There are quite a few people out there that embrace the built-in microphone for the T3i, but let’s just be realistic and state the obvious: it is a built-in microphone on a camera designed primarily to take stills. So you already have a camera not designed to do video, though it is capable of doing it nicely, and then you have the microphone it comes with and let’s face it, when was the last time you bragged about the microphone on your digital camera. At first I tried to be a optimistic and shot a little video indoors with me talking a few feet away from the camera. Even at a few feet, the speech was low and the background noise was high. If you consider the comment I made in the last post about filming in the wind, filming anyone talking outdoors with this setup was simply out of the question.
It came down to what combination of audio components would I want to assist my camera. If you do any sort of searching around for information about digital audio recorders, you will quickly stumble upon the company Zoom who manufacture a slew of recording products for both amateurs and professionals alike. For the DSLR filmmaker, the Zoom H1 and H4n are the popular products: the Zoom H1 being an entry level recorder with two on-board microphones, mic in and line out jacks, and the H4n boasting four channel recording and a sturdy rubberized chassis. For $300, I didn’t want to spring for the H4n, so I decided to take a gamble and try the H1 for less than a third of the price of its bigger brother. Yes, there are other digital recorders out there (Sony actually offers a similar looking recorder for about $20 less than the H1) but the reviews I looked up more than sold me on the H1, as well as hearing it do its thing.
If you do any sort of video searches for the H1 to see it in action, you may be pleasantly surprised. The recorder itself looks a bit like a toy, but the audio you can get out of it can be downright amazing at times. I quickly found videos using the H1 at a live music event and was stunned by the clarity of the recorded music. I also found another video of the H1 being compared to the internal T3i microphone and a Rode VideoMic. I have to say that to my ears, both the Rode microphone and the H1 microphones blew the T3i out of the water and the H1 very slightly outperformed the Rode mic as well. Even when they did a test of the Rode microphone plugged into the H1, I still preferred the sound of the H1 directly.
So as I said, I ordered the H1. I also got a shoe mount, since it made more sense to mount the recorder on top of my camera than to hold the recorder near it, or use a second tripod. The H1 can be screwed on to a standard tripod mount, but with a shoe mount costing under $2 I could slide one end into the slot on my camera meant for an external flash and screw the recorder onto the other. I also got a windscreen from Rode called the “Dead Kitten” which lives up to its name in appearance. Windscreens were highly recommended for the H1 which just leaves its microphones exposed with no cover. Some people say to go foam, while others will point you to the fur-styled ones. I wanted to get fur, and the two main names seem to be Rode and a smaller company called Redhead. I ended up going with Rode simply because I could get a better deal on it through Amazon. Lastly, I also ordered a 16GB microSDHC card so I could record for a long time and not have to worry about swapping cards.
Mounting the Zoom H1
When everything arrived, most things went together without a hitch. The H1 recorder has extensive settings for audio quality, and switches in the back for lo-cut, format, and automatic leveling. I switched the format to WAV and turned off automatic leveling as I have read that you will get inconsistencies: the recorder will start recording loudly and cut the sound down a few seconds in which can be nightmarish for recording music. I also pushed the quality as high as it could go, and saw that I had about 7 hours with my microSD card. Plenty of space there. The windscreen fit the recorder like a glove, but I really wonder about the blocking power in strong winds. I also noticed that it really picks up handling noise, so if you are simply hitting buttons while recording you will pick up a lot of unwanted noise. Since I am mounting this on top of my camera, there is no problem there, even with moving shots I cannot notice any movement noise. I also read wrapping the unit in some rubber bands helps, especially around the battery and card doors, and that did actually help eliminate vibrational noise to a degree. It looks a bit strange, but it works.
I’d also like to mention that while you can use the line-out on the recorder to the input on the camera, I decided for the sake of quality to record separately and synchronize the streams in post. While this may be a little more time consuming as I have to line up tracks, it should produce an overall better sound. I tried the T3i sound side by side with sound from the Zoom H1, and I have to say that I can confirm on the the fact that the H1 is much better. Even with the lo-cut filter on the H1 off, there is so much less background noise I can’t even do it justice in writing.
You’ll just have to listen to it.
Wednesday, April 4th, 2012
Last week, I took my first footage with my Canon Rebel T3i camera (You can watch it here if you want before I mention it later). I had been wanting a DSLR camera for around 5-6 years and took the step a few months ago to order one. I did my research beforehand, though. For a few weeks I was looking up reviews on professional sites and web forums, asking friends, and comparing specs. Overwhelmingly, I was turned to the Canon line of cameras. That isn’t to say that I jumped right on the bandwagon. I did weighing between the Canon lines and Nikon lines before I made any decisions, and made sure I got plenty of sleep as to cut down on 3am impulse buys. Both companies produce fantastic products, but I was just pulled more towards the world of Canon, and I’m happy where I ended up. After my internal deliberation over brand, it came down to what camera from the Canon line I wanted. I would have loved to go out and spend $2500 on a 5D MKII with the full frame sensor and slew of lenses, or even $1600 on a mid-range 7D, but I didn’t have the resources to spend more than $1000, so I turned to the nicely priced 600D with an 18-55mm IS lens.
When I was looking at cameras to buy, I was also looking at the video capabilities. The 600D had great reviews for it’s video features, and I was excited at the idea of being able to both replace my point-and-shoot camera and my mini DV camcorder in one go. So of course, I thought of how this camera could impact my filming process with Obsoleet and how I could take things to a whole new level. Shortly after my purchase, I tried out the camera and was hooked. I was really stunned by the image quality I was getting from my stills, and really hoped that I could squeeze everything out of the video features as well. But first, I bought some gear. I ordered a UV filter, two more batteries, two 16gb SDHC cards, a lend hood, a microfiber cleaning cloth, and a carrying case. As the packages poured in, my setup began to fill out and it was exciting seeing everything come together. I’m not normally one to go out and buy the little extras, but I felt that if I was going to do this I should at least take the time to do it correctly.
The Canon EOS 600D / Rebel T3i
Before I took my camera out to shoot some video, I first decided to install a third-party firmware called Magic Lantern. If you want to get technical, it’s a piece of software that runs on top of Canon’s stock camera firmware, and the package supports many DSLR’s in the Canon line. It was originally developed for those wanting to use their Canon cameras for film production, but has evolved to give an all-around enhanced and fine-tunable experience for you and your camera. I’d like to state that the group who creates and maintains Magic Lantern does not recommend it for someone just starting out with their camera, and it does pay to get to know what you’re doing before you go and add a whole new series of complications to what you’re doing. So if you’re thinking of dropping ML onto an SD card and trying it out, get a bit of a feel for all of the settings your camera has before you go and get your feet wet. You can go out an buy all the expensive accessories and install the fancy firmware but if you don’t know what you’re doing fundamentally, you’re as well off as you would be with a camera phone.
So I went out, spent four hours taking small clips of footage, and eventually assembled them into something tangible. It’s not the most fantastic video, but it is something, and something is better than nothing at all. The video is called ‘Monday’ because, well, I made it on Monday. It features some places that are all in walking distance of my house, and the day was nice enough that I felt like going out and doing a little something with my time. If anything, this video is just a proof of concept. I wanted to get my first feel of recording something nice in high definition, and seeing what it looked like when compared with my grainy digital video camcorder. I’m a fan of the environment I was filming in, and I think I ultimately ended up with some beautiful shots.
It was a learning experience though, and you can see my mistakes in the video. For example, the first few shots were over-exposed (though I get some strange enjoyment from the ghostly look they carry), and my handling of the camera was shaky at times. Other downfalls are hidden from you. The wind was horrendous, and if I actually included the original audio tracks from shooting, you would want to rip out your speakers and smash them on the floor. Editing was challenging to say anything. Trying to preview the edited footage caused the video to stutter lag. I can’t tell you how often I had the editing software crash either. As a side note, I was also unhappy with my use of text but that’s a whole separate issue. I don’t think anyone gets anywhere without being their own worst critic, and ultimately I want to create something I’d enjoy watching.
Even here, there are already clear things I can do differently next time, most of which I either realized or discovered through my adventure: know what I’m doing with respect to exposure, ISO, and shutter speed, use a tripod or steady-cam, use a windscreen, etc. I also didn’t do much with the video after taking it. I made some rough edits, a few basic transitions, but nothing too solid. I also did not do anything with color correction, which I am hoping to pursue with my next video. In all, there is work to be done. I never expected any of these skills to come overnight, and they won’t, but I feel like I’m off to a good start and am on the path I want to take. The more I shoot, the more I can play with, and the more I’ll ultimately learn which is just what I’m looking to do.
So here ends entry one of many centered around my trials with DSLR video. The video I took here, Monday, is going to be the first of a series I’ll end up taking as I refine my abilities and hopefully don’t run out of ideas.
It should be exciting.